April 24 – May 12, 2024
In This Program
Romeo and Juliet
John Bradshaw, Executive Director
Makaela Milburn, Interim Artistic Director
Heidi McElrath, General Manager
Jocelyne Fowler, Director of Production
Cast
Juliet
Alegra Batara
Lord Capulet/Apothecary
Shawn Belyea*
Mercutio/Lord Montague
Miguel Castellano
Friar Lawrence
Andrew Lee Creech*
Tybalt/Lady Montague
S Franco
Romeo
Morgan Gwilym Tso
Nurse/Prince
Sarah Harlett*
Lady Capulet/Sister Joan/Abram
Josephine Keefe
Understudy (Full Cast)
Louis Osborne McElrath
Benvolio/Paris
Karin Terry
Creative Team
Director
Sheila Daniels
Choreographer
DaeZhane Day
Costume Designer
Jocelyne Fowler
Lighting Designer
Matthew McCarren
Sound Designer
Robertson Witmer
Scenic and Props Designer
Robin Macartney
Fight and Intimacy Director
Ian Bond
Text Coach
Amy Thone
Stage Manager
Shay Trusty*
Assistant Stage Manager
Erin Lammie
Production Staff
Technical Director/ Scene Shop Facilities Manager
Benjamin Radin
Assistant Technical Director
Andrew Long
Lead Audio Engineer
Conor Fortner
Head Electrician
Clint Bull
Scenic Painter
Matthew Lazure
Wardrobe Supervisor / Production Associate
Emily Kight
Costume Shop Manager
Joel Reid
First Hand/Stitcher
Sheryl Cope
Special Thanks
Jason Lang, Darragh Kennan, Marleigh Squires, Brad Farwell, Betsy Schwartz, Tracy Hyland, Rich Gray, Kate Myre, Robin Lynn Smith, Timothy McCuen Piggee, and Seattle Children's Theatre
* Appearing through an Agreement between this theatre, Seattle Shakespeare Company, and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The taking of pictures or the making of recordings of any kind during the performance is strictly prohibited.
Letter from the Executive Director
Reflections on Twenty Years
This past January, I reached my 20th year at Seattle Shakespeare Company. As with so many things of adult memory, my start here feels like such a short time ago. I remember meeting with Stephanie Shine and talking about becoming managing director over dinner on an autumn evening; seeing John Langs’ remarkable King Lear with Kurt Beattie in the lead as my first show on staff; sharing a 10’ by 10’ office with three kind, wonderful people.
So many memories. Of brilliant performances by great theatre veterans and by young actors just coming into Shakespeare. Of beautiful summer performances in the parks with Wooden O after our merger (thank you, George Mount!). Of watching students experiencing Shakespeare for the first time either on tour, at a student matinee, or at a school residency (my favorite, of nearly 100 elementary students at Montlake bringing this same play, Romeo and Juliet, to life). Of a variety of leaks into our offices, the theatre, the costume shop – we ARE under a number of restaurants!
Most of all, memories of a host of individuals - staff, board, artists, crew, audiences, students, teachers - who have made Seattle Shakespeare what it is. Many of whom, many of you, have become dear, valued friends. I look back at where we’ve come from, but even more, forward to who we will be. How we will weather the current storm affecting all performing arts groups. And what will see us through - a combination of dynamic vision and fiscal responsibility, as well as the generosity of individuals and institutions, but, most of all, people. You. Me. All of us who love these works, these stories, these words, these themes, these experiences, this community. Together, we will create new memories. For the next 20 years.
Thank you for being part of Seattle Shakespeare!
John Bradshaw
Executive Director
Director's Note from Sheila Daniels
When Makaela first asked me to consider this beautiful play, I read it for the first time since being a teenager. I was struck that at its heart, it is a story of two lovers who are trying to find light and hope in a world that offers them little. It was not a big leap then to choose to set it in our current time and in a small-city in America. Our young people are faced with potential gun violence in any public location, with a disintegrating planet, and with a political system that seems bent on limiting their bodily autonomy and who they choose to love, if not outright killing and demeaning them with systemic injustices.
Then, as I started to think about setting, I wanted a place where teens could hang out, away from their homes and away from a computer - this led our design team to start talking about old wooden playgrounds. Not only did I hang out at these in my own adolescence, I see teens at playgrounds in my neighborhood all the time. There’s also something beautiful about them as a place between childhood and adulthood. This became the jumping off point for our scenic world, which then led to more choices reflective of young people today in music and clothing. We have eliminated cell phones and technology from this world—our own suspension of disbelief in order to bridge back into the poetic world of Shakespeare.
As reckless behavior and self-harm continue to rise in teens and children, it is a miracle that we encounter those who strive for justice, hope and love. Yet sometimes the world becomes too much for even those youth and they lose their battle and their hope.
While young Juliet and Romeo were, of course, not in those exact circumstances when the play was written, their urge to love and to move towards the light are timeless and reverberate even in the echo-chamber of our world today.
Romeo & Juliet Synopsis
The play opens with a brawl between the two feuding families of Verona, the Capulets and the Montagues. The Prince breaks up the fight and threatens death for anyone “who disturbs our streets”.
A great celebration is being planned by the Capulets to which everyone in the town is invited, except the Montagues. The primary reason for the party is to introduce their young daughter, Juliet, to an influential young lord in the town, Paris, in the hopes that they will marry. Romeo, Benvolio, and Mercutio, three Montagues, decide to attend the party in disguise so that Romeo will get his mind off of Rosaline, an unattainable girl who he is in love with.
From the moment Romeo sees Juliet from across the room, he is enchanted by her and forgets all about Rosaline. He talks with her and she becomes as entranced by him as he is by her, and Juliet forgets all about Paris. Juliet’s cousin Tybalt notices that Romeo and his friends are trespassing at the party, but Lord Capulet forbids him from starting a fight. Romeo sneaks back into the garden, where he hears Juliet talking to herself about the danger of loving an enemy. He appears and speaks to Juliet. They exchange vows of love and plan to marry in secret the next day.
Romeo begs Friar Lawrence to marry him and Juliet. Friar Lawrence agrees, hoping that the marriage might end the feud between the families and bring peace to the town. The two lovers are married and go their separate ways, planning to meet again in the secret of the night. That afternoon Tybalt attempts to pick a fight with Romeo. Romeo refuses, knowing that he has married Tybalt’s cousin Juliet. Mercutio takes up his sword to return Tybalt’s insult. As Romeo tries to break up the fight, he restrains Mercutio. Tybalt takes advantage of this and stabs Mercutio, who is killed. Romeo, enraged at the death of his friend, kills Tybalt and is banished by the Prince.
The Nurse tells Juliet that Romeo has been sentenced to banishment for killing Tybalt. Juliet is sad that her kinsman has been slain, but even more sad that Romeo is banished. Romeo and Juliet have only one night together after they are married before Romeo must leave the city. Their parting causes both of them much grief, and they both would rather kill themselves than be apart.
Unaware that Juliet has already married Romeo, the Capulets plan for her to marry Paris. Juliet goes to Friar Lawrence for help. He gives her a sleeping potion that will make her appear dead for two days and tells her to take it the night before her wedding to Paris. The Friar says he will send a message to Romeo letting him know of the plan so that he can find her in the tomb and they will be reunited when she awakes.
However, Romeo hears about Juliet’s death not through the Friar’s messenger, but from his servant. In grief, Romeo returns to the city determined to be with Juliet in her death. He goes to the apothecary and buys poison, then goes to Juliet’s tomb. There, he finds Paris who challenges him to a duel. Romeo kills Paris, then takes the poison and kills himself. Friar Lawrence arrives at the scene to find Romeo already dead. As Juliet awakens, he tries to pull her away from Romeo, but she refuses. Using Romeo’s dagger, she takes her own life. The two families find Romeo and Juliet dead together in the tomb and realize that they should put their feud behind them.
Characters
The Montagues
Romeo
Son of Lord and Lady Montague
Mercutio
Related to Prince Escalus and a close friend to Romeo
Benvolio
Romeo’s cousin and friend
Lord Montague & Lady Montague
Heads of the house of Montague, they are Romeo's parents and enemies of the Capulets
Abram
A servant of the Montagues
Balthasar
A page to the Montagues
The Capulets
Juliet
Daughter of Lord and Lady Capulet
Lord Capulet & Lady Capulet
Heads of the house of Capulet, they are Juliet's parents and enemies of the Montagues
Nurse
Juliet’s nurse
Tybalt
Juliet’s cousin
Sampson
Servant of the Capulets
Gregory
Servant of the Capulets
Others
Friar Lawrence
A Franciscan friar and close friend to Romeo
Paris
A relative of Prince Escalus and Lady Capulet’s choice of husband for Juliet
Prince Escalus
The prince of Verona, related to Mercutio and Paris
An Apothecary
Sells illegal drugs & potions
Who’s Who
CAST
Alegra Batara
Juliet
Alegra Batara (they/them) is incredibly honored to be making their Seattle Shakespeare debut. A multihyphenate Filipino-American artist, Alegra grew up in Shoreline, and their love of storytelling was kindled in Seattle theaters. After spending 6 years exploring the Midwest theatre scene, Alegra is so happy to have landed back home in this vibrant artistic community. Seattle credits: Marianne in Sense and Sensibility, Maid Marian in Sherwood (Village Theatre), Sally in A Charlie Brown Christmas (Taproot Theatre Company). Past Shakespeare favorites: Mercutio and Lady Capulet in Romeo and Juliet (Festival 56), Phebe in As You Like It, Perdita in The Winter's Tale, Jacquenetta in Love's Labours Lost (Great River Shakespeare Festival), and Feste in Twelfth Night (Webster University). Alegra is dedicated to supporting the representation of AAPI and queer stories in theatre.
Shawn Belyea
Lord Capulet/Apothecary
Shawn is thrilled to return to Seattle Shakespeare having appeared in Macbeth, Henry IV, and Twelfth Night with the company. Shawn serves as Producing Director for The 14/48 Projects; creators of 14/48: The World's Quickest Theater Festival (2008 Seattle Mayor's Arts Award). Shawn directed August: Osage County at Balagan Theatre (2013 Gregory's for Outstanding Director and Outstanding Production). As a proud Seattle actor, his favorite roles include Stan in Sweat and Jacob Marley in A Christmas Carol (ACT Theatre), Rick in Dry Powder and Alan in Opus (Seattle Repertory Theatre), Duke Vincentio in Measure for Measure (Freehold's Engaged Theater), and Dad and Babe Ruth in Jackie and Me (Seattle Children's Theatre). Shawn feels it is an honor to work with Sheila Daniels and the incredible group of actors assembled for this project.
Miguel Castellano
Mercutio
Miguel Castellano is excited to be returning to Seattle Shakespeare! He was most recently seen in the parks with Wooden O as Caliban and Ferdinand in The Tempest. Additionally, he helped to kick off Drum & Colours inaugural production of As You Like It as Orlando. He is a local actor originally from Southern California where he received his BFA in Acting from California State Univeristy, Fullerton. He's been seen locally in The Lower Depths (Intiman & The Seagull Project), Jeeves Takes A Bow (Taproot Theatre Company), Mr. Dickens and His Carol (Seattle Repertory Theatre), and Sweat (ACT Theatre). Much love!
Andrew Lee Creech
Friar Lawrence
Andrew Lee Creech is a Seattle-based actor, playwright, and content creator. Select past roles: Dun in Pipeline (Seattle Public Theater), Benvolio in Romeo and Juliet (Seattle Shakespeare Company), Bobo in A Raisin in the Sun (Seattle Repertory Theatre), Sam in Mr. Burns - a post-electric play (ACT Theatre). His plays Last Drive to Dodge (Taproot Theatre Company) and Riverwood (Seattle Public Theater/Langston) have recently enjoyed world premieres here in Seattle. Andrew received his BFA from Cornish College of the Arts. He is a proud member of both Actor's Equity Association and the Dramatists Guild of America. IG @papadontcreech
S Franco
Tybalt
S Franco is a text driven actor and director passionate about exploring physical metaphor and heightened gestural language onstage. They identify as a movement storyteller, a lover/destroyer/reclaimer of the classics, a disruptor of the status quo, and a generator of new work.
Morgan Gwilym Tso
Romeo
Morgan Gwilym Tso (he/they) is excited to be a part of Romeo and Juliet with Seattle Shakespeare Company, where they were recently seen in Henry V Bar(d) and Quintessence of Dust. Select credits include Sanctuary City (Seattle Repertory Theatre); A Christmas Carol and Wolf Play (ACT Theatre); Peter and the Starcatcher (Reboot Theatre Company); and The Great Leap (Perseverance Theatre). He graduated from Stanford University with a B.A. in Theater and Performance Studies and is grateful for the continuous support of his family and friends, near and far. @morgan_tgt
Sarah Harlett
Nurse/Prince
Recent credits include: King John (Actors Theatre of Louisville/upstart crow collective), The Tempest (Wooden O), Much Ado About Nothing (Seattle Shakespeare Company), Richard III, Bring Down The House (upstart crow/Seattle Shakespeare Company), What The Constitution Means To Me (u/s, Seattle Repertory Theatre), Gloria: A Life, Frost/Nixon, The Birds and Memorandum (Strawberry Theatre Workshop), The Events (Intiman Theatre), Middletown and A Christmas Carol (ACT Theatre), Frog and Toad, The Hundred Dresses, and Bunnicula (Seattle Children's Theater) Regional credits: Chautauqua Insititute, NY; Tantrum Theater, Ohio. Internationally: Centre de Danse (Paris, France). Gregory Award: Outstanding Lead Performance for Richard III and nomination for Outstanding Supporting Performance in Frost/Nixon. Sarah is a teaching artist and intimacy director at Cornish College.
Josephine Keefe
Lady Capulet/Friar John/Abram
Josephine is thrilled to be making her Seattle Shakespeare Company debut as Lady Capulet in Romeo and Juliet. She holds an MFA in Performance from UCLA School of Theatre, Film, and Television, and her BFA from The Theatre School, DePaul. Select theatre credits include: A Christmas Carol (ACT Theatre), Where the Summit Meets the Stars (Native Voices at the Autry), Sovereignty (Harlequin Productions), The Psychic Life of Savages (LATC), and Twelfth Night (Modern Theatre). She received the award for Best Performance by an Actress from the 2018 Kaleidoscope Regional Theatre Festival with her performance of Agnes White in Bug (Civic Theatre), and was last seen on the big screen in the romantic comedy Home Sweet Home as Shelby. Josephine resides locally in the PNW with her partner and two beautiful kids.
Louis Osborne McElrath
Understudy (Full Cast)
Louis is a British actor from Stratford Upon Avon. Louis has a degree in Drama from Goldsmiths, the University of London, and a Masters from Stratford's The Shakespeare Institute, Birmingham University. Louis is most proud of his role within the Shakespeare Birthplace Trust's acting company "Shakespeare Aloud," who perform on-request speeches and scenes from every single Shakespeare play. Louis is also very proud of his work with FRED theater company, particularly in playing the murderer in Poe's "The Tell-Tale Heart" within a compilation of Poe's works and life titled Why Will You Say That I Am Mad written and directed by Pete Malin. This is Louis' first time on Seattle Shakespeare's main stage, and he looks forward to exploring Romeo and Juliet with you all!
Karin Terry
Benvolio/Paris
Karin is a lifelong Seattleite and feels incredibly lucky to work as a theatre artist in this beautiful city. She is over the moon to return to Seattle Shakespeare after appearing as Feste in their 2023 production of Twelfth Night. They have recently performed with Showtunes Theatre (Betty; Sunset Boulevard), Harlequin Productions (Cordelia; Falsettos), Reboot Theatre Company (Black Stache; Peter and the Starcatcher), and Taproot Theatre Company (Charlie Brown Christmas and The Wickhams Christmas at Pemberly). Karin also tours with vintage trio The Memphis Belles as part of Naomi Morgan Entertainment.
Actors’ Equity Association (AEA), founded in 1913, represents more than 45-thousand actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
PRODUCTION
Sheila Daniels
Director
Sheila Daniels is a multi-disciplinary theater maker based in Seattle since 1994. Romeo and Juliet marks her 9th collaboration with Seattle Shakespeare Company/Wooden O: prior collaborations include Electra, The Winter's Tale, Much Ado About Nothing, Pericles and Macbeth. Recent work in Seattle includes The Niceties with Intiman, Indecent with Seattle Repertory Theatre and The Wolves at ACT. Past credits include A Streetcar Named Desire and Crime and Punishment with Intiman; My Name Is Asher Lev at New Century Theatre Company, Lydia, The Normal Heart, Breaking the Code and The Bridge of San Luis Rey at Strawberry Theatre Workshop; Dancing at Lughnasa at Seattle Repretory Theatre; Jackie and Me and According to Coyote at Seattle Children’s Theatre, This Wide Night at Seattle Public Theater and Waiting for Lefty and Crime and Punishment at CHAC She has also directed for Children's Theatre of Minneapolis, Throwing Bones in NYC, and Tantrum Theatre in Ohio. Sheila is a three-time nominee and two-time recipient of Seattle’s Gregory Awards for Outstanding Direction. Sheila is a proud faculty member at Cornish College of the Arts and a card toting union member of CFT and SDC. Love and gratitude to her husband Jason and her family, both born into and found. This one's for Thoney.
DaeZhane Day
Choreographer
DaeZhane was born and raised in California. In her adolescence, DaeZhane attended Creative Connections Arts Academy (CCAA), where she studied and competed at the Musical Theatre Competition of America (MTCA) for several years. Currently, DaeZhane is finishing her BFA in Dance at Cornish College of the Arts and works as a tour director and emcee for Fly Dance Competition. She has trained in various dance styles including but not limited to Hip Hop, Breakdance, Hula, West-African and South African diasporas, Salsa, Pro Jazz/Jazz funk, and Tap. DaeZhane has performed at half time for the Portland Trailblazers at the Moda Center, and showcased work at the Mondavi Center, and American College Dance Association (ACDA). DaeZhane has work in process with Rubberlegz, Charolette Boye-Christensen, and Melecio Estrella. DaeZhane was also featured as Mary in Black Nativity through Intiman Theatre.
Jocelyne Fowler
Costume Designer
Jocelyne Fowler has designed for Seattle Shakespeare Company (Twelfth Night the Musical), Arms and the Man, Mrs. Warren's Profession, Titus Andronicus, Richard II, etc.), Taproot Theatre Company (A Woman of No Importance, The Spitfire Grill, Babette's Feast, Steel Magnolias, Arsenic and Old Lace, Lady Windermere's Fan, etc.), Book-It Repertory Theatre (Howl's Moving Castle, Jane Eyre, Treasure Island, Emma, Pride and Prejudice, Frankenstein, Anna Karenina, etc.), ArtsWest (Born With Teeth, Head Over Heels, The Last World Octopus Wrestling Champion, Office Hour), Harlequin Productions, Vashon Opera, Youth Theatre Northwest, SecondStory Repertory, Bellevue College, Roosevelt High School, Overlake School, and others. She is the recipient for the 2016 Gregory Award in Outstanding Costume Design. www.jocelynefowler.com
Matthew McCarren
Lighting Designer
Matthew is a freelance scenographer specializing in designs for black box, thrust, and found spaces. Matthew currently serves as the Resident Scenic Designer and Technical Director for Cleveland OperaTheatre and was the Director of Production for the Oberlin in Italy Festival (2013-2016). Matt also serves as the scene shop supervisor and adjunct faculty for Cornish College of the Arts. Matthew’s scenographic designs have been featured internationally at the 2007 Toronto Fringe Festival, the 2007 Prague Quadrennial, in Prague, CZ. and in Arezzo and Cortona, Italy at the ICASTICA Summer Arts Festival (2013-2016). Regional credits include, Theatre Alliance, D.C., Mile Square Theatre Co. NJ, The Helen Mills Theatre NYC, 59E59 NYC, Crook Theatre Co., NYC, Notre Dame Shakespeare Festival, Montana Shakespeare in the Parks, Interlochen Center for the Arts, P45 Theatre Co. Cleveland Opera Theatre, ArtsWest, Seattle Shakespeare Company, and Seattle Children’s Theatre. Matthew has taught and lectured as faculty with the University of Wyoming, Fort Lewis College in Durango, Co. and Interlochen Center for the Arts. Matthew holds an MFA in Design with an emphasis in Czech/Eastern European design from The Ohio State University.
Robertson Witmer
Sound Designer
Rob is a Seattle based sound designer, composer, and musician. His previous work with Seattle Shakespeare Company includes A Midsummer Night's Dream, Comedy of Errors, and Richard III. Other recent credits include: Hello, Dolly! (Village Theatre); A Thousand Splendid Suns (Seattle Opera); Murder on the Links (Laguna Playhouse); Greenwood (Alvin Ailey American Dance Theater); and The Best Summer Ever (Seattle Children's Theatre). His sound designs have also been heard at Seattle Repertory Theatre, Spectrum Dance Theater, and Teatro ZinZanni. Rob is a member of United Scenic Artists, Local USA-829.
Robin Macartney
Scenic Designer / Properties Manager
Robin (she/her) is an award-winning freelance set and props designer who has been fortunate to work with a large number of the theatre companies in Seattle. She is the resident set designer at Theatre Off Jackson as well as the former scene shop supervisor for the University of Puget Sound’s Theatre Department.
Ian Bond
Fight and Intimacy Director
Ian Bond is a Seattle based fight and intimacy director, actor, and educator. His choreography has been seen at The 5th Avenue Theatre, Seattle Repertory Theatre, Seattle Children's Theatre, Village Theatre, The Seagull Project, University of Washington, Washington Ensemble Theare, Sound Theatre Company, Taproot Theatre, Seattle Pacific University, The Shattered Glass Project, Book-It Repertory Theatre, Seattle Shakespeare Company, and ACT Theatre. He has performed all over town and with Seattle Shakespeare in Titus Andronicus. Ian is a co-founder of PNW Theatrical Intimacy and member of Intimacy Directors and Coordinators. He is also a motion capture artist (Ghost of Tsushima) and professional Game Master. www.ianbond.org
Shay Trusty
Stage Manager
Shay Trusty (they/them) is excited to be working with Seattle Shakespeare Company! Select stage management credits include Little Women, The Tempest, How I Learned What I Learned, As You Like It, Tiny Beautiful Things, A Doll's House Part 2, and In the Heights (Seattle Repertory Theatre); Sense and Sensibility, Little Shop of Horrors, Mamma Mia!, and The Book Club Play (Village Theatre); Solaris (Book-It Repertory Theatre); The Dina Martina Christmas Show, A Christmas Carol, and Beware The Terror of Gaylord Manor (ACT Theatre).
Erin Lammie
Assistant Stage Manager
Erin Lammie (she/they) is super excited to be working her first Seattle Shakespeare show as a stage manager. She has house managed for Seattle Shakespeare for the past two seasons and is overjoyed to shift gears for Romeo and Juliet! Right before this show she stage managed The Participants! at Annex Theater. She has a BFA in Stage Management from SUNY Purchase.
Clint Bull
Lead Electrician
Clint Bull has been working in theatre around Seattle since graduating from Gonzaga University in 2020. In addition to working with Seattle Shakespeare Company as Lead Electrician this season, he occasionally works for other small companies in the area as a Lighting Designer, and also does some work for the high school theaters in the Lake Washington School District. He would like to thank everyone taking the time to read this for coming out and supporting local theatre!
Sheryl Cope
First Hand
Sheryl is thrilled to be building costumes for this production of Romeo and Juliet. Sheryl has been designing and building costumes for local theatre and school productions for over 25 years, including many previous Seattle Shakespeare and Book-It productions. A born and raised Seattleite and life-long theater lover, Sheryl was first introduced to live theater as a grader-schooler through Junior Programs, a theater company that produced live stage plays for elementary-aged audiences here in Seattle in the 1950s. Many years later, her love of theater and her love of sewing combined as she began designing and producing costumes for the stage. Sheryl is so pleased to be a part of the resurgence of live theater here in Seattle.
Conor Fortner
Head Audio Engineer
Conor Fortner is a Seattle based theatre technician with a focus in audio engineering. While educated as a designer, Conor’s passion for implementation has given him experience across a variety of technical disciplines. Conor is currently in his third season with Seattle Shakespeare as the Head Audio Engineer. In that time, he has been the A1 for a variety of shows throughout the Seattle area. Some stand outs include: Twelfth Night the Musical with Seattle Shakespeare, Sherwood at Village Theatre, Solaris with Book-It Repertory Theatre, and most recently The Bed Trick, also at SSC. Conor would like to thank the entire team at Seattle Shakespeare for giving him this opportunity and being so kind and supportive, especially Ben Radin, as well as his mentor Rob Witmer.
UP NEXT
Wooden O
Free Shakespeare in the Parks
The Two Gentlemen of Verona
By William Shakespeare
Directed by Kelly Kitchens
Opening June 27, 2024
Print Edition
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